This is clearly the best method - Sony's LUT is up to date on the exact color science of the Sony RX100 IV Slog 2 and SGamut. And you can use it. It will also deal with any overexposure you should employ in shooting Slog 2. Alistair Chapman's LUTs are specific to the degree of overexposure.
- THIS LUT IS MADE FOR FOOTAGE SHOT IN S-LOG2. IT HELPS YOUR COLORS BE BEAUTIFUL. If you like this, you'll love Renegade 2, our S-LOG 2 LUT Pack that lets you add pro color grades to your footage with one click! BEAUTIFUL SONY FOOTAGE RENEGADE 2 IS A COLLECTION OF LUTS MADE FOR S-LOG 2 Add cinematic color grades to yo.
- Most paid LUT packs will include both rec709 and generic LOG versions of each LUT anyways, so it's still simple enough to roughly match your graded clips in post. Level 2 A7Rii, A6500, 12-24 G, 24-70GM, 100-400 GM, Nikon 50 1.2.
- The LUT pack has Slog2 LUTs and a LUT for CINEFLAT. I tried the CINEFLAT profile, and I'd say the author Andrew Reid has done a very good job with this. It won't have the full dynamic range of Slog2, but it definitely allows better control of color, and still has some extended dynamic range.
- Nov 16, 2017 Hi all, Im having ago at grading some slog 2 footage from my Sony a7r II for the first time and i can get reasonably good results but im having a real issue with off greens and strange skin tones. Ive tried all the different ways shown on youtube but i just cant seem to get it looking realistic.
Slog2 Luts
Applying LUTs in DaVinci Resolve
You can apply a LUT for color work in DaVinci Resolve 12.5 as follows.
First, download S-Log2 LUTs from the Sony website and save them in the LUT folder, because DaVinci Resolve 12.5 only includes S-Log3 LUTs.
First, download S-Log2 LUTs from the Sony website and save them in the LUT folder, because DaVinci Resolve 12.5 only includes S-Log3 LUTs.
Slog2 Realistic Lut Generator
Download 3D LUTs for DaVinci Resolve
- S-Gamut/S-Log2
- S-Gamut 3.Cine/S-Log3
Procedure
Start DaVinci Resolve 12.5 and make sure the Project Manager screen is displayed.
Click [New Project] and open a new project with a name of your choice.
When the [Media] page is displayed, import your material.
In the volumes listed in the upper left, select a folder with material to import. Clip thumbnails are shown once the material has been imported.
Drag clips to the [Media Pool] area.
If the frame rate of a clip you drop does not match the project frame rate, a frame rate conversion window is displayed. Click [Change] to adjust the frame rate of imported material to match your project.
Open the [Edit] page.
In the toolbar, select [File] > [New Timeline]. A window opens. For your new timeline, decide details such as [Start Timecode] and [Timeline Name].
Clear the selected [Empty Timeline] check box, and then click [Create]. All clips in the [Media Pool] area are arranged on the timeline.
Slog2 Luts Premiere
Open the [Color] page.
Right-click one of the clip thumbnails in the middle of the screen and choose a LUT from [3D LUT].
You can also add your regular LUTs to the [3D LUT] menu.
Click the [Project Settings] icon in the lower right. In the window that opens, click [Open LUT Folder] in [Color Management]. Save the LUTs you will use in this LUT folder.
Here, use the S-Log2 LUTs you downloaded initially. Click [Update Lists]. You can now select the LUTs from [3D LUT].
In actual editing, you may need to adjust the contrast before applying a LUT. In this case, go ahead and adjust the contrast before applying the LUT. With the LUT applied and your clip shown in colors for a Rec. 709 screen, you can now color grade it as you imagined it.